How Scandinavian Design Left an Indelible Mark on the World
After dominating regional design in northern Europe for over fifty years, Scandinavian design has seen a rise in popularity over the last decade. The adoption of hygge and Scandi into the interior design lexicon has played a significant role in this. Because of its emphasis on cosiness as well as its emphasis on practical design and clean lines, this style of architecture and interior design stands out as one that is appealing to a broad range of individuals.
Modern furniture and design are commonplace in the living rooms of the Scandinavian nations, especially Denmark, Sweden, Finland, and Norway. Nordic design, which was at first essential in making modernism more accessible to the general people by giving it a more humanistic perspective, has taken on evocative shapes borrowed from nature. The level of detail and component excellence.
So, What Exactly Does a Scandinavian Style Consist Of?
Scandinavian design as we know it now likely had its beginnings in the 1950s, when social democracy was at its height in the Nordic nations of Denmark, Iceland, Norway, Finland, and Sweden. The 1950s might be considered the beginning of the modern Nordic style of design.
The First Steps
Sleek, machine-inspired functionalism was popular among European designers at the turn of the 20th century, thanks to the combined influences of the Industrial Revolution and the German Bauhaus school. The term “functionalism” is often used to describe this school of thought. Scandinavian designers gave it their own spin by incorporating elements from traditional Scandinavian craft practises, such as the use of light-hued woods. Choose the scandinavian modern lighting there.
A chair that is both simple and comforting.
Alvar Aalto, a famous Finnish architect and modern furniture designer, was influential in the early 1930s in the invention of bending plywood. A few of his bentwood pieces, such as the Stool 60, are being manufactured today. This year marks their 80th year in production.
The decade between the years 1940 and 1950
During and after World War II, a new generation of Scandinavian designers rose to prominence; they pushed the boundaries of modern furniture design by experimenting with forms and materials that drew inspiration from nature. Eero Saarinen, a Finnish-born architect and industrial designer, rose to prominence in the United States when he was still a student at Michigan’s Cranbrook Academy of Art. In 1940, he and Charles Eames designed a bent plywood chair that took first place in the Museum of Modern Art’s “Organic Design in Home Furnishings” competition.
About the same time, Denmark also became the undisputed leader in Scandinavian interior design. The widespread success of Danish designers like Arne Jacobsen and Hans Wegner has led to the phrase “Danish Modern” being used as a synonym for Scandinavian design (and middle-class sophistication). In the same vein as Aalto, Jacobsen was also a talented furniture designer. He was responsible for the interior design of the hotel, which includes the AJ collection lighting, as well as the sleek glass tower that houses the SAS Royal Hotel in Copenhagen.
Scandinavian furniture’s popularity has skyrocketed in recent years, and it can now be seen in every corner of the globe. Companies like as Vitra, Artek, and Knoll are producing new designs that are inspired by the classics while continuing to manufacture many of the originals. iittala, Eva Solo, and Menu are just a few of the brands whose decorative glassware and cookware reflect the minimalistic, streamlined style popularised by Scandinavian design and which have found their way into other areas of the home.